Archive for Tag: Wolfenstein 3D
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Laser Invasion (NES)
Reviews by Mark Freedman on Looking for an awesomely-named NES title sporting three unique gameplay styles, Zapper, and LaserScope support? Well, look no further!
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That’s So Cliché: Howditgetthar? Edition
Columns by The Ominous Voice on 
1 Who just leaves all this stuff lying around?
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GameCola’s Most Essential/Influential Games of All Time (S-Z)
Columns by Nathaniel Hoover on 2 There are still more out there??
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[NSFW] Mid-Boss #8: Cry Wolfenstein
Comics by Stuart Gipp on Dead Space is too scary to go alone. Take this.
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[NSFW] DOOM (JAG)
Reviews by Meteo Xavier on 5 So now, to celebrate the grand re-flowering of Meteo Xavier, I re-introduce myself with a re-view...of DOOM for the Jaguar.
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What the Crap?: Difficulty Settings and Modes
Columns by Mark Freedman on 2 Why, cruel videogame industry, are we forced to play Goldilocks when sitting down to play our games? Games all have their own ideas of what Easy and Hard mean, have different rewards (and sometime none at all) for choosing a more difficult setting, and really produce a schism in groups of people who say they've beaten a game. I really don't care if you've beaten the game on "Super Easy," you shmuck!
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Doom RPG (Mobile)
Reviews by Matt Jonas on Disclaimer: This review contains a picture of "dancing dog," and is rated R, for Ruff. ...So, university is a dumb waste of time so far. If I'd have known that "being lectured" stands for "being shout
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Wolfenstein 3D (JAG)
Reviews by Meteo Xavier on "Achtung, baby..." — Adolf Hitler, 1939 at Wilhelmshaven.
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What the Crap?: Bosses
Columns by Mark Freedman on I can't tell you how many easy bosses I've cut through that just made me wonder what the crap was going on in the boss-designer's mind.
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Versus Mode: First-Person Shooter Shoot-Out
Columns by Kay Leacock on First-person-shooters. Classics. New ones. Some people tell me that they're all the same. Others say it doesn't matter which one you play -- they still suck. Well, I say 'bbullshit'. Right here, right now, I'm comparing one to the next, pitting classics against modern ones, and system against system.